The Last Jedi Spoiler Review

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Last-Jedi-Landscape-Poster-I wasn’t going to write a review for this movie, simply because I have a podcast where I primarily do my reviews. But after several days sitting on this movie I have developed more thoughts and I’m sure I will develop even more after repeated viewings. This will be less of a review and more of my thoughts as I process this film. I wouldn’t normally write a review this long.

Before I dive into my thoughts I want to point out that they are coming from someone who has been a diehard Star Wars fan since the age of 8. This review is also coming from someone who is a massive fan of director Rian Johnson. He’s a brilliant director and writer and if you haven’t checked out his previous work you should.

My hype for The Last Jedi has been at an all time high. I thoroughly enjoyed JJ Abrams take on The Force Awakens. It introduced amazing new characters. Characters I couldn’t wait to see evolve and grow. It also introduced many mysteries. Some mysteries turned into complex theories and debates for over the past 2 years. My only major gripe with The Force Awakens is that it mirrored A New Hope a little too much for me, at least with the third Death Star. It didn’t take a lot of chances other than killing Han Solo, but if you know anything about Harrison Ford that shouldn’t come as a shock. I understand the first movie in the new trilogy had to play it safe to win people over.

Going into The Last Jedi I wanted Rian Johnson to try something different. I didn’t want him to play it safe. I didn’t want a typical predictable cookie cutter movie we see so often in Hollywood movies today. In fact that’s what made the original Star Wars movies so popular. They were strange, different, funny, and adventurous. They took chances. I’d say the prequels did the same thing. After The Force Awakens it was time for things to be shaken up. If Star Wars is to survive it can’t keep blue milking the nostalgia of the originals. It had to move into new territory and develop weird things. Rian Johnson does precisely that.

Coming out of the theater at first I didn’t know what to think. I was shocked. As Luke Skywalker says in the film, “This isn’t going to go the way you think”…and it didn’t. The Last Jedi did some ballzy things, things I didn’t want, but needed in the end. It’s a lot to process. It’s a movie with a lot going on and it’s slow compared to the breakneck pace of TFA. It’s slower like the originals. I love it for being that.

I knew Rian Johnson’s Star Wars would be divisive the moment they hired him, but really what Star Wars movie isn’t? Every time a new movie comes out a part of the fandom cries out that their childhood is ruined because they can’t stand to grow up and to move into new territory. Even the now beloved Empire Strikes Back had its critics back in the day.

It’s impossible for me not to discuss this film going forward without discussing spoilers, so be warned.

The Last Jedi is funny, intense, emotional, action packed, challenging, flawed in areas, totally different, yet it still feels like Star Wars. It still has all the things we love. People seem to forget these movies are made for kids first and foremost, before they are made for everyone else. This film strikes a balance for the most part. My only major gripe is that there was too much humor in some areas and it doesn’t always land.

The only element that reminds me of Empire Strikes Back is that this movie follows three separate plot points with our heroes scattered. The first plot point picks up minutes after the last film. The Resistance is now on the run after destroying Star Killer Base. Poe (Oscar Isaac) the hot shot X-Wing Pilot gets too trigger happy and ends up endangering the whole fleet of bombers so Princess Leia (Carrie Fisher) demotes Poe.

The First Order has developed new technology that can track ships in hyperspace. So now the Resistance can’t enter hyperspace and must travel the slow way. They lose fuel and their fleet is slowly consumed by the First Order. Kylo Ren (Adam Driver) is torn and hesitates to attack her ship, but another Tie Fighter fires on the ship taking Leia out of the picture. This scene happens to be one of my biggest complaints of the film visually. For me it wasn’t executed well and it kind of ruined the moment for me. I think it’s cool that Leia used the force, but it would have worked out better visually if she used the force to lift fallen debris, instead of flying back to her ship.

While Leia is on the mend, Vice Admiral Holdo (Laura Dern) takes command of the ship. She butt heads with Poe. Poe is ready to attack with guns a blazing instead of running away. This whole plot point is a growing time for Poe. At first your on Poe’s side and you’re not sure if Holdo should be trusted.

Poe learns that sometimes fighting a war means not foolishly getting yourself or others killed, but escaping so you can fight another day. It’s a dire situation and time is ticking as they race toward the Planet of Crait where they hope to make their last stand and to send a signal for help to the rest of the galaxy. It reminds me of the classic movie Twelve O’Clock, which Johnson has said did play as an influence. It’s the slowest moment of the film and some of it could have been trimmed back.

This brings us to the second story where we follow Finn (John Boyega), Rose (Kelly Marie Tran). Rose is the new addition to the group. I liked getting the perspective of the war from a simple mechanic and not just a space wizard. She’s someone who’s lost her sister to something greater and she wants to do more to help the war effort.

Poe sends Finn, Rose, and BB-8 there to the casino planet Canto Bight to find a code breaker to shut down The First Order’s hyperspace tracker.

This was my least favorite part of the film. It has its moments and I understand this is the fun and games part of the movie. It’s a nice break from all the other intense story elements. I also understand you have to have some stuff for the kids, but some of the scenes could have been trimmed down a little. Overall I enjoyed how crazy Canto Bight looked. I liked the drunk alien placing coins in BB-8 like he’s a slot machine. I also enjoyed the chase through the city streets on the  space horses.

This is also where we are introduced to DJ (Benicio Del Toro). He’s an eccentric, stuttering,  code breaker. I wasn’t the biggest fan of DJ as far as Del Toro’s performance, it felt off. It was unique to see a hacker in the Star Wars world. He’s a hacker that doesn’t really like either side of the war effort and is willing to play both sides if the price is right.

Now I want to talk about the third part of the story. My favorite part of the movie. It’s the dynamic relationships between Luke, Rey, and Kylo.

When we last saw Rey (Daisy Ridley) she was holding up the Skywalker lightsaber to old man Luke (Mark Hamill) in a plea to get back into the war. Mark Hamill nails his performance as a broken man and Daisy nails her performance as the hopeful young hero who’s trying to find her place in the galaxy.

Luke doesn’t want anything to do with the Jedi anymore. He’s not the Luke we last saw. He’s haunted by his past. He’s come to the Island to die alone, but Rey is there on her own journey of awakening. She’s heard about the legend of Luke Skywalker and she wants him to train her and help her understand her purpose.

Luke is bitter about his failure to not be able to live up to the skywalker legacy. Luke sensed darkness and Snoke’s pull in Kylo/Ben Solo. In a brief moment of weakness Luke thought about killing Ben in his sleep. Ben awakens, fights Luke, burns down his Jedi order, and takes some Jedi with him. Now Luke is filled with regret over that one moment of weakness.

Luke sees the same raw strength in Rey and rejects her, but Rey is stubborn. She trains herself as Luke watches from afar. One night Luke wanders in the falcon and reminisces. Ther he meets his old trusty droid, R2-D2. It’s then and there Luke decides to train Rey.

During this time of training Rey and Kylo (Adam Driver) develop a force bond in which they cannot explain. Both give an outstanding performance. In their force bond they are able to see and talk to one another. We see and hear both sides of the story on what happened that night in a very cool Akira Kurosawa Rashomon way.

With this force bond, Rey sense good in Kylo/Ben. The conflict within. The same conflict Luke saw in Darth Vader.  She thinks she can bring him back into the light. She has pity towards him. Rey leaves Luke alone on the Island to confront Kylo/Ben

Luke feels he’s failed again and wants to burn the sacred Jedi tree containing all the Jedi text. The force ghost of Yoda shows up to remind Luke that he has to let the past go and to pass on what he has learned. I love it when Yoda says,”You will always be that boy looking into the sunset.” Yoda burns the tree down with a bolt of lightning calling Luke’s bluff. Luke panics, but Yoda laughs it off and tells him everything in that tree Rey processes and that they cannot lose her like they lost Ben. We later find out at the end of the movie in a quick shot that all the Jedi books are on the falcon. Rey had stolen them and Yoda knew that. I loved seeing Yoda return as a puppet instead of CGI.

In the end all three story elements collide in a beautiful way that pays off. All our main characters get their time to shine and we clearly see their character arc.

Holdo who we didn’t trust sacrifices herself in one of the most beautiful shots put to film. She smashes her ship into the First Order star destroyer so the Resistance transport ships can land on Crait. This whole scene made the theater gasp.

Kylo brings Rey before Snoke. Snoke reveals that he’s the one who bridged their minds to create a bond so she could reveal the location of Luke Skywalker. When Snoke finds out where Luke is he asks Kylo to strike her down. This is where the big twist happens. Surely they won’t kill Snoke. He’s Darth Plagueis, right? (Joking) Fan speculation on Snoke has come to an end. Kylo uses the force to ignite the Skywalker blade to slice Snoke in half along with all those theories.

The death of Snoke might frustrate some, but I was never a fan of Snoke. I thought his design was unoriginal and too much like Palpatine and I thought the movies going forward should focus more on Kylo Ren. He is the most passionate, conflicted, and unpredictable villain we have seen in a Star Wars movie.  

I love it when Rey and Kylo ignite their blades and go to town on those red Praetorian Guards. It’s such a unique and vastly different lightsaber battle. It’s one of the coolest lightsaber fights in a Star Wars movie. The theater went crazy over the Reylo team up. Kylo thinks Rey is helping him because she wants to join him and Rey thinks Kylo is helping her because he’s returning to the light.

Kylo wants Rey to bury her past and to forget about Luke, Snoke, The Jedi, and the Sith so they can create a new order. Kylo reveals that her parents are nobodies and that she’s a nobody in this story, but she means something to him. Rey refuses to join. Some fans might not like that Rey’s parents are nobodies after JJ’s big mystery box setup. I was pro Rey Skywalker, but this is unique and different. Then again…Is Kylo lying to her?

Then we have Poe and Leia trapped, making their last stand on Crait with only a handful of Resistance fighters and a few junk speeders. They are forced to retreat into the caves to save what they have left of the resistance. Poe learns it’s not always about going in with guns a blazing. It’s about being wise. This whole battle reminded me of the battle of hornburg in Lord of the Rings: The Two Towers.

Finn and Rose learn and grow together. Finn confronts Phasma and is no longer afraid, he no longer wants to run from his fears. He wants to fight for what he loves. He’s willing to smash his fighter into The First Order battering ram, and Rose is willing to become a hero by joining the front lines and saving Finn. They both learn that it’s not about fighting what you hate, but what you love.

All of these stories connect to the final spark needed to burn down The First Order…Luke Skywalker. Luke shows up and has a very emotional scene with his sister Leia. It’s the last time we will see them together on screen. Luke is here to make things right. I love it when Leia reminds Luke regarding Ben/Kylo that, “Nobody is ever really gone.”

While Rey helps what’s left of the Resistance board the falcon we get the true Luke Skywalker in all of his glory on a battlefield at sunset with gorilla walkers staring him down and blasting away in a classic cinematic western samurai way. Kylo goes down to face his uncle. What’s awesome is Luke never attacks. Only dodges and deflects Kylo’s swings. Luke becomes a Jedi in the truest sense. A Jedi uses the Force for knowledge and defense, never for attack. Luke reminds Kylo if he strikes him down he will always be around, forever haunting him. In in a classic Han Solo way he says, “See you around kid.” Kylo stabs him and he’s gone. Adam Driver brings an intense performance as Kylo Ren. You feel for him in moments and hate him in others. I feel like he’s the Anakin we should have had and I like the prequels.

This is where things got crazy and the theater went nuts. Luke has become so powerful in the force that he had projected himself on Crait, when he was really on his island meditating on a rock overlooking a twin sunset. He drops and looks weak, but regains his composure and looks off into the sunset like he did as a kid so many years ago. He smiles with purpose before becoming one with the force. We all know Luke will be back. He will be teaching Rey and tormenting Kylo.

Rey, Poe, Finn, Rose, Leia, and a handful of Resistance fighters escape on the Falcon. Rey wonders how they will rebuild and Leia tells her they have all they need, as she holds the broken skywalker saber. We also get a glimpse of those Jedi books.

The Last Jedi has its flaws. It could have been trimmed down in some areas, some of the humor with General Hux didn’t work for me, and some of the characters were wasted like Captain Phasma and Chewbacca. Overall it’s a brilliant heavily character driven film with riveting performances from all. It also happens to have great action and spectacular special effects. Oh, and Porgs are not annoying.

The thing I enjoy the most about this film is its themes. The Last Jedi is about failure and redemption. Star Wars has always been about redemption. It’s about learning from your mistakes and failures and moving on. We all imagine our Luke always being that brave fearless boy full of hope, but he fails and loses that hope and then regains that hope. Much like growing up. When we are kids we are hopeful and sometimes ignorant about the real world. We think we are unstoppable. Our loved ones for better or worse tell us we can do anything we want. Then when we grow up failure hits us. We find out that life is more complicated and we lose hope. We lose that childlike wonder. It’s about how we deal with that failure. Do we look back at it or do we look into the twin sunset of the future and see hope and move on?

I love the final shot of the movie. We end with the hopeful kid at the stable on Canto Bight. He calls a broom to his hand with the force and holds it into the air like a lightsaber as he gazes upon a shooting star. He is a part of the Force awakening in many new kids who will someday become Jedi.

There are many young audience members who are also having an awakening to a grand new story about light, darkness, hope, failure, and redemption. Like Luke passing down the torch, I pass that torch down to my own niece and nephew and I’m happy I get to enjoy it with them. Luke was the spark that ignited the flames that will burn down The First Order and he won’t be the last Jedi…

– JL

Casablanca Movie Review

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2450This week I’m starting a new series of reviews that will go along with my podcast, “The Film Slate Podcast.” I want to review and discuss old classic movies. Today I’m going to review what is considered one of the greatest films of all time…Casablanca, which turns 75 this year. It also happens to be one of my favorite movies of all time, so I will try to keep it as short as possible.

Before I dive into the full review I want to add some context with a brief history of the film. Casablanca was directed by Michael Curtiz, who was born in Hungary and moved to Austria because of civil unrest. He later went on to make 64 films in Europe. In 1926 Warner Brothers asked him to move to Hollywood to make movies. There he helped Warner Brothers become the fastest growing studio.

Casablanca went on to be successful and won many awards, but it ironically had colossal production problems. It was filmed in less than 3 months and its leading actors, Humphrey Bogart and Ingrid Bergman didn’t like each other. They didn’t even want to be in the film.  Ingrid Bergman wanted to be cast in, “For Whom the Bell Tolls” and Bogart was already filming several movies that year. Casablanca was at the bottom of the barrel for him.

Also the script went through many rewrites, some on the day of shooting. Also Warner Brothers didn’t invest a whole lot of money into the film. They didn’t think it would be that big of a hit. Adding to the mess, composter Max Steiner didn’t like the film’s main theme, “As Time Goes By” which was written in 1931 by Herman Hupfeld for the Broadway musical, “Everybody’s Welcome.” and Steiner wanted to replace the song but they couldn’t reshoot it because Bergman had moved onto her next film, “For Whom the Bell Tolls.” Casablanca was set to be a disaster, but Casablanca released in the United States on January 23, 1943 and managed to become a beloved classic, despite its many production problems.

Now that you’re up to date on the history of the film I will discuss its story, characters, cinematography, and music. There will be unavoidable spoilers, but it shouldn’t hinder your viewing experience.

Story: Casablanca takes place during WWII and follows Rick (Humphrey Bogart) a night club owner in Casablanca, a place now occupied by the Germans. One night he runs into his old love, Ilsa (Ingrid Bergman) and her husband, Victor Laszlo (Paul Henreid). Victor is a rebel and a freedom fighter and the Germans are after them. They, along with many refugees are looking to escape to America. Ilsa comes to Rick begging for help and now they are both torn between duty and love.

The story of Casablanca is a simple story, but a timeless story of two old lovers split by war and later re-united. They are both forced to deal with past hurts while trying to escape the threat of Nazi Germany. Rick has now become a bitter drunk who sticks his neck out for nobody. Ilsa has moved on and married the freedom fighter Victor and they are now on the run. Rick could easily be selfish and use his resources to escape with Ilsa while leaving Victor behind. Ilsa is also torn because she’s still in love with Rick. She was suppose to run off with him when the Germans moved into France. It’s later revealed that when she fell in love with Rick she thought her husband was dead, but one day she found out her husband was alive and left Rick at the train station.

What I love about the story is that war, tragedy, and heartache is met with hope and redemption. The timing of this movie and what Americans were going through at the time was unintentionally perfect, with many refugees trying to escape the clutches of Nazi Germany. One of my favorite scenes in the movie is when the Germans are singing their fights songs and the occupied french stand up in defiance and sing their own fight song louder. It’s powerful to see them rise and sing against the tyranny of the Nazis. It gets me every time.

The ending is equally powerful when Rick, the drunk who sticks his neck out for nobody, helps the woman who left him and her husband escape from the Germans. He does this knowing all to well that he might end up in a Nazi prison camp…or dead. I love stories where the hero grows and learns from there flaws and takes the fall for someone who wronged them.

Characters: The Characters are what make this film shine. Bogart does a phenomenal job at playing a selfish person who goes through a journey to become selfless. Bogart is so convincing when his character goes through his depressed spirals that I actually think he was drunk during the filming of the scene. He also manages to bring a suave and witty tone to his character.

As for Rick’s old lover, Ilsa (Ingrid Bergman) she plays someone who is conflicted. She thought her husband was dead and moved on, just to find out that her husband Lazlo is still alive. She’s torn between her old fling and her first love, Lazlo and his fight against Nazi Germany. In the end Rick knows that it is best for Ilsa to escape to America with her husband. Casablanca also has a stellar supporting cast that helps add touching heartfelt moments and levity to the Nazi occupied situation.

Cinematography: Not only is Casablanca a war torn love story, but it is also a classic noir with stunning cinematography for its time. I love the way it uses shadows and light to make the screen pop, portraying the internal struggle within Rick. Also the camera work in Casablanca is superb. There are some rather impressive tracking shots and camera movements. It’s hard to appreciate those elements now days, but when you take into consideration that this film was shot in the 40s. It’s pretty impressive.

Music: Despite composer Max Steiner not being a fan of the song, “As Time Goes By,” the song has equally gone on to be a beloved classic.

Despite Casablanca’s many production woes, it has managed to become a classic in cinema history, earning a spot in my Top 10 Greatest Films of All Time. I really can’t find anything that I don’t like about Casablanca. It truly is in my opinion a perfect movie that will always hold a place in my heart. I wish Hollywood would make more movies like this. Not only has Casablanca taught me that black and white movies can be timeless and relevant, it has also taught me to never judge a movie that is going through production problems, because it could very well become the next big unintentional classic.

Score: 10/10

For more check out our podcast, “The Film Slate Podcast.”

 

Wonder Woman Movie Review

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Going into Wonder Woman I had very low expectations after being extremely disappointed with both Batman v. Superman and Suicide Squad. The Justice League trailer looks promising and so did Wonder Woman, but I didn’t hold out much hope. Also superhero movie fatigue is starting to set in…or is it just big blockbuster movie fatigue? Wonder Woman had to be the movie that rejuvenated the DC universe.

So, does Wonder Woman crush the current disappointment with DC movies and the superhero fatigue? I’m happy to report that it does. So much so, that I wish they would push back Justice League a few years so they could take their time to flesh out their characters and world before they unite. Give them solo movies, because as of now Wonder Woman is the best out of the bunch.

Enough with the expectations. Lets dive into the review. I’m going to break down this review into several parts discussing story, characters, special effects/cinematography, and musical score, before I give my overall grade of the film.

Story: The story follows Diana, Princess of the Amazons. These Amazons live on a hidden protected Island called Themyscira. Long ago Zeus created female Amazon warriors and put them on Themyscira to protect earth from Ares, the god of war. Diana is different though, she was the only child raised and trained amongst them. One day a spy named Steve Trevor, played by Chris Pine crashes on their island. He warns them that the world will soon be engulfed by war. Diana, played by Gal Gadot wants to return to the war with Steve to fight the man she believes to be behind the war…Ares.

The story is good and incorporates a lot of interesting Greek and comic mythology into the historical setting of WWI. Director Patty Jenkins does a great job at blending these two worlds with a diverse cast of characters you can root for. Many will compare this movie to the first Captain America movie and there are many similar plot elements, but I believe Patty Jenkins does a better job at showing the brutality of WWI while still keeping it PG-13.

The story does suffer from the formulaic superhero origin story, but I’m not sure how I would have improved upon this. It’s a difficult task, but Patty Jenkins directed the crap out of it and made an overall fun and well paced movie with a lot of heart. The writing is also fantastic with a lot of witty banter between Diana and Steve. The plot points might be formulaic, but it’s the characters and their journey that make this movie enjoyable.

Characters:  Gal Gadot delivered a great performance playing the fish out of the water character that had some niavity and innocents, which gave her character depth. She believes one side is clearly good and the other is clearly bad. Over time she learns about the depravity of man on both sides of the war. As her mother told her growing up, “they don’t deserve you.” They don’t, but she still decides to fight for them despite their flaws. She finds hope and love with her growing bond with Steve Trevor. Not only did Gal give a great performance, but she also brought a tough physicality to the character, do to her training in the Israeli military.

Supporting her character is Steve Trevor, played by Chris Pine. I love Pine’s Character. In some superhero movies the hero does everything while the love interest typically does nothing. Steve Trevor isn’t useless and Chris Pine is not wasted. He and Diana work as a great team and compliment each other well. He’s a lonely guy with no wife or kids. He’s trying to find his place in the world and in the war and Diana gives him the courage to do the right thing when things get tough. As for the team joining them on this mission: Sameer, Charlie, and the Chef brought heart and levity to the dark conflict around them.

Now without getting into too many spoilers I want to talk about some of the villains.  Ludendorff, played by Danny Huston and Dr. Poison, played by Elena Anaya are what appear to be the main villains of this movie. Dr. Poison is helping Ludendorff create a deadly gas that renders gas masks useless. They are racing against time to finish it before the war ends.

Later Ares, the god of war shows up. He might not be a well developed villain, but I like how they revealed him to be the big puppet master. He can’t force people to do evil, but can plant a seed in them and tempt them to do evil. He plays all sides of the war deceiving everyone, much like the devil. He tries to convince Diana that humanity is evil and needs to be wiped out in order to have peace. Diana does learn that there is evil on both sides, but her love and compassion for Steve and her comrades despite their flaws drives her to fight fort what is right. The villains overall are the weakest aspect of the film. They are the cookie cutter villains of superhero movies. There isn’t much depth to them, but I’m not sure how you improve upon them without the movie being three hours long. It’s slightly forgivable because the movie isn’t about the villains, but the heroes and their journey.

Special Effects/Cinematography: The cinematography was beautiful and they did a great job at contrasting between the bright and colorful Island of the Amazons and the dark, cold, gritty war torn world. The action was well choreographed and was easy to follow. It wasn’t an over the top flashy disaster like the finale of Batman v. Superman. I do have two complaints though. One, there was too many slow motion shots. In some cases it works well, like when she crosses the trenches of “No Mans Land” or when she liberates the town. But before that and after that it’s overkill. Also some of the effect shots didn’t look very polished, especially towards the end of the film. I wasn’t a big fan of how Ares looked. he was overly CGI and he didn’t need to be.

Musical Score:  Usually I don’t notice musical scores in the first viewing of a movie, so I gave the score a listen after I watched the film. It’s better than most superhero movie scores. As for Wonder Woman’s theme it sounds awesome in a modern setting, but it doesn’t translate well into a WWI period piece. It was already an established theme in Batman v. Superman so they had to go with it.

Conclusion: In conclusion Wonder Woman is a fun heartfelt movie with a great message on the depravity of man and heroism in dark times, but it suffers from the overdone superhero origin story mold.  I’m happy that little girls such as my little sister have an awesome female hero movie on the big screen to root for and thankfully they don’t feel the need to put Batman into it to make it “cool”. Wonder Woman stands on her own and I look forward to seeing more from Patty Jenkins and Gal Gadot.

Final Score: 8/10

For a more in-depth review of Wonder Woman and discussions on the latest in movie news check out my podcast The Film Slate Podcast.

Holiday Gift Guide for Writers

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It’s that time of the year again. Perhaps you have a loved one in your life who is a writer/screenwriter and you have no clue what to get them for Christmas, or you’re a writer and want a list of ideas packaged up in a nice little bow to send to your friends and family as a big hint. Don’t worry, I have you covered. Here are 10 gifts you can give to writers this Christmas.

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  1. TWISBI ECO Fountain Pen
    There are many great fountain pens I could put on the list, but I’m thinking about the best affordable fountain pen. The TWISBI ECO is the latest pen to come from TWISBI. Their ECO line is the cheapest too. The Pen is a piston filler, so there is no need for a converter. The barrel is also clear, so you are able to see your beautiful ink flow from the pen. The pen also comes in numerous nib sizes. I personally prefer extra fine since I write small. You can purchase the TWISBI ECO at The Goulet Pen Company.
    Price: $28.99

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  2. Noodler’s 54th Massachusetts (30z Bottled Ink) – Made in the USA
    If you’re going to get a fountain pen you need great ink to go with it. I have countless inks, which is another blog post within itself, but I find myself returning to the same ink each time, Noodler’s 54th Massachusetts ink. It’s a beautiful deep blue/black ink. It behaves well on most paper and it’s what they call a bulletproof ink. That means your writing will be well protected from water damage. You can purchase Noodler’s 54th Massachusetts at The Goulet Pen Company.
    Price: $12.50

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  3. Leuchtturm1917 Medium A5 Notebook, Lined (5.71 X 8.27)
    Writers need a good quality notebook that can take the abuse. I use to be a big fan of Moleskine, but over the years their paper quality has declined. Most of my ballpoint pens and Fountain Pens bleed through to the other side of the page, making the other page useless. I’ve completely switched over to the German notebook, Leuchtturm1917. It has 249 numbered pages, a table of contents, two ribbon page markers, stickers for labeling, and it opens up completely flat. Best of all, it’s fountain pen friendly. You can purchase the Leuchtturm1917 at The Goulet Pen Company.
    Price: $19.50

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  4. Blackwing 602 Pencil
    I love fountain pens, but I also love pencils. There’s something nostalgic about writing with a dark buttery smooth cedar pencil in a ultra techie world. When it comes to pencils my favorite pencil hands down is the Blacking 602. It’s a classic pencil that was used by many of the greats like John Steinbeck. There’s nothing like writing or drawing with a quality Blacking 602. It’s the Cadillac of pencils. You can purchase Blackwing 602 pencils at Pencils.com . Also check out the KUM Long Point Sharper.
    Prince: $21.95

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  5. Palomino Golden Bear #2 Pencil – Made in the USA
    The Blacking 602 might be my favorite pencil, but the Palomino Golden Bear comes in at a close second place for the best pencil. The Golden Bear is made in the USA with California cedar and it writes similar to the 602, buttery smooth and dark. The great thing about the Golden Bear is that they are cheap and write better than any pencil you will find in the store. I have at least a hundred of these lying around. You can purchase Palomino Golden Bear Pencils at Pencils.com
    Price: $2.95

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  6. Field Notes – Made in the USA
    Field Notes are amazing, small 3½” × 5½” memo books that make great stocking stuffers. They also come in many unique covers and you can get them in a line, grid, and dotted format. I always have a Field Notes notebook crammed in my pocket for jotting down random ideas throughout the day.  You can purchase them in packs of three over at FieldNotes.com
    Price: $9.95

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  7. Bullet Pencil by Metal Shop – Made in the USA
    Sometimes you want to use a pencil on the go to jot down notes or sketch something without the pencil poking your leg. The Bullet Pencil by Metal Shop solves that. Bullet Pencils have a lot of history and the Metal Shop have taken that old history and have modernized it with a vintage flair. They give you numerous customization options to get the color and look you want. Best of all, they are made in the USA. You can purchase and customize your bullet pencil at the metalshopct.com
    Price: $38.00

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  8. Scrivener Writing Software
    Microsoft Word is a thorn in my side and I hate it with a passion. For the most part I use Google Docs, but when it comes to heavy long documents for novels, research, articles, plays, lectures, biographies, and outlining…Scrivener is the way to go. The tools they give you are incredible. You can check out Scrivener at LiteratureandLatte.com
    Price: $45.00

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  9. Fade In Screenwriting Software
    For many years the screenwriting software, Final Draft has been the “industry standard”. The problem with Final Draft is that it’s dated and too expensive for what it does. I have recently made the switch to Fade In, and I will never go back. Fade In is a powerful, simplistic, and minimalistic screenwriting software that formats your screenplay as you write. It’s a must own for any screenwriter. You can learn more about Fade In and purchase it at fadeinpro.com 
    Price: $49.95

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  10. FilmStruck Streaming Service
    If you are a writer or screenwriter it’s important to watch and analyze a lot of movies. Most might already have a streaming service like Netflix, Amazon, or Hulu. Those are great but, they are still missing something. Lately, I’ve been loving the Criterion Collection of movies on Bluray, so I was excited when I stumbled on a new streaming service called FilmStruck. FilmStruck streams critically acclaimed films, hard-to-find gems, and cult favorites from the world’s greatest independent film libraries. FilmStruck was created by Turner Classic Movies and The Criterion Collection. They have several different plans that range in price. As of now they stream through Amazon Fire Tv, Apple, and Android devices. This coming year they will expand to Roku, Chromecast, Xbox One, and PS4. I don’t have this service yet, but I hope to get it soon. You can check out FilmStruck at filmstruck.com
    Price: $6.99/Month
                $10.99/Month
                 $99.00/Year

The Director’s Log #2: My Creative Writing Process

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In my on going series I would like to share my creative process and how I develop ideas for my screenplays, specifically for my current film that is in development, Atoms of Eden. I covered something similar to this a few years back. You can find it HERE. I thought I would expound upon that article more. So here are the 7 Steps in my creative writing process:

  1. An Idea:  A film is not something that is randomly filmed and thrown onto the big screen.  It is a long grueling process to get the picture on the screen and the words on the page. Every film and every story boils down to a little seed of an idea that later blossoms into something fantastic. Every idea must ask the question, “ What if?” It is the spark that ignites our creativity and its endless possibilities. If there is no question to be asked, then there is no question that needs answered, thus eliminating the conflict. Conflict is something that is found in all stories, it is why we care for our heroes during their journey. So I ask the question, “What if?”

  2. Genre: Once I have asked the question, “What if?” I now must decide the genre of my story. Genre can be very subjective. For instance sci-fi could have multiple sub-genres within itself such as: Fantasy, romance, action, and drama. It is important that I figure out the world where my story will take place because it will affect how I develope my story.

  3. Research: Research is very crucial to developing my story, it helps me better flesh out my idea. To me, this is the most intriguing part. It does not  matter if I am writing a period piece or a fantasy epic, research helps get my creative juices flowing. I go to the bookstore or the library and pick up books related to my genre. If I am writing a sci-fi epic I read classic sci-fi literature, but I also read other books that have nothing to do with the genre of sci-fi.

    It is also important to get out and talk to people and experience life. This helps when developing my characters. I get out and talk to people, I go to coffee shops and listen. Everyone has a fascinating story to tell.

    Lastly when researching I watch a bunch of movies. I analyze scenes, take notes, review them, and learn their structure.

  4. Notebooks: I keep a notebook with all my ideas. A lot of writers use Moleskines. Moleskines are okay, but I prefer Leuchtturm1917 notebooks. They contain more pages, they are numbered, they have an index, and best of all they are fountain pen friendly. I know, I’m bit of a nerd for all things stationery. You could use a simple spiral bound notebook, but they tend to fall apart after extensive use.

    I take my notebook everywhere I go so when an idea strikes I  jot it down. I can also put all my research into the notebook so I always have it on hand. If I don’t use some of the ideas for a current project, I could always draw back to them in future projects.

    One of my current ongoing projects is a sci-fi/fantasy epic with vast worlds and characters. I break down my notebook into several categories as I brainstorm: Characters, world history, planets, governments, politics, culture, religion, business, factions, technology, and magic. Most of  it I won’t use, but it is there if I need it.

    I might have a cool world and backstory but I must have likable characters people can root for. I spend most of my time focusing on my character creation. I ask myself: What is their appearance? What are my characters values? What’s most important to them? What’s the most traumatic thing that could happen to them? What is their biggest secret? What is their deepest fear? What’s the best and worst thing that could happen to them? What are their hobbies? Abilities? Favorite music? Family? Answering these questions will help develop conflict.

  5. Outline: After I have my question, genre, research, characters, and world it is very tempting to jump the gun and start writing. Some writers can do that but I cannot. I have to have a roadmap to guide me along. I have to have a beginning and end in mind for my characters and story. An outline helps me do this. I outline by using index cards and a corkboard. I break the story down into three main headings: Act I, Act II, and Act III. Under these main headings I have 10 subheadings under them.

ACT I: Set-Up

  • Opening Shot: The opening shot is what introduces the audience to the world. It has to be engaging. It has to hook them.
  • Inciting Incident:  This is the event that changes the life of the hero forever. It throws their life upside down. It’s an event that sends them on a quest. Perhaps they refuse the call at first, but in the end they accept the quest.
  • First Act Break: The story has been set up. The characters have all been introduced and we know what they want. First act break’s involve the first major location change. It’s when our heroes step out into the unknown.

ACT II: Confrontation

  • Obstacles: Act II is the longest part of a story/film. It’s the middle of the story and often the most challenging part to write. The hero faces countless obstacles that block him or her from achieving their goal.
  • Small Victories: The hero faces small victories and setbacks.
  • Subplot: The subplot is a secondary plot that is tangled in with the main plot that affects the characters. Sometimes it is a love story.
  • All is Lost: This is where the hero faces extreme setbacks, it appears their goal is impossible. Sometimes this is when a plot twist is revealed…All is lost.

ACT III: Resolution

  • Climax: The hero gathers all they have learned on their journey. They have changed for the better and they are ready to face the antagonist in a final showdown. 
  • Resolution: The hero overcomes the antagonist.
  • Final Shot: This is the closing image that wraps up our story. Sometimes it can mirror the opening shot.

Once I have these headings on the corkboard I can begin to fill in the blanks. I write short scene descriptions on each index card then place it on the board. I fill the board up and move cards around till I have a complete outline I am happy with.

  1.  Rough Draft: Once I have brainstormed and outlined everything I write a rough draft, or what I call my, Crap Draft. I don’t type it up on the computer just yet. I write it all out by hand in my notebooks with a pencil. I do the John Steinbeck thing. I have over a dozen pencils sharpened and when one gets dull I move onto the next one. When I write a rough draft I remind myself that this doesn’t have to be perfect. If I spend too much time worrying about grammar and spelling it will never get done. I have to write crap to get to the good stuff.

    I also create a schedule to keep me writing. For me, the best time to write is early morning or late at night. Everyone is in bed and it’s quiet. I have a cup of coffee or tea and give myself a few minutes to think before I start writing a single word.
  1.  Editing: After I have written my rough draft I back away from it to get my mind off of it. Then I return to it with a fresh mind. I transcribe my rough draft to the computer. As I type it up I make the corrections along the way. Once I’m finished doing that I make sure every scene propels the story forward. I make sure everyone wants something so there is always conflict. If the scene doesn’t achieve this I cut it or I rewrite it.

    After that, I focus only on the action and descriptions. I whittle down giant blocks of text to something that is short, to the point, and flows quickly. Remember, less is more. After I have done this I do a pass on the dialogue. I make sure the dialogue is snappy and propels the story forward. I don’t want my characters rambling on about the weather. I also make sure each line of dialogue is unique to the characters and that every character has a different voice. Sometimes I cut dialogue altogether. I try to make sure I’m showing not telling. I let the audience figure things out. Leave room for some mystery.

    Once I have combed through everything I go through it one more time to clean up the loose ends. Once I have done this I am ready to email it to close friends who are also into film to get a second opinion. If everyone is critiquing the same element in the script I sit on it and see how I can correct it. Once I do this I have the final draft. A few days later another idea pops up and the vicious circle starts over again.So, that is it for my writing process. I am no expert, but I hope it was informative, and if you have any questions feel free to ask. I would be more than happy to answer them. Next week I will be doing a Christmas gift guide for writers.

I end with a list of books and movies that inspired me along the way while writing Atoms of Eden.

Books:  

  1. 1984 George Orwell
  2. Fahrenheit 451 by Ray Bradbury
  3. Brave New World by Aldous Huxley
  4. Slaughterhouse-Five by Kurt Vonnegut
  5. Countless WWII books.
  6. Mistborn by Brandon Sanderson
  7. Lord of the Rings by JRR Tolkien

Movies:

  1. The Revenant
  2. Seven Samurai
  3. Three Outlaw Samurai
  4. Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb by Stanley Kubrick
  5. Star Wars
  6. Lawrence of Arabia
  7. 10 Cloverfield Lane
  8. Inglourious Basterds
  9. Indiana Jones
  10. Letter Never Sent

Video Games:

  1. Bioshock Infinite  

 

Episode 30: Arrival Movie Review & Movie News

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On this episode of The Film Slate Podcast Caleb and James discuss the latest in movie news and review Arrival.
1. Valerian Trailer
2. Rogue One International Trailer
3. Star Wars Episode 8 Shot in 65mm
4. Brandon Sanderson’s Books will be turned into movies.
5. Arrival Movie Review
Where to find us?
Twitter: @TheFilmSlatePod
Instagram: TheFilmSlatePodcast
Facebook: The Film Slate Podcast

Have questions? Tweet them out using the hashtag #TheFilmSlatePodcast

Websites:
James: theartofscriptology.wordpress.com
Caleb: AnecdoteFilmCo.com

The Director’s Log #1: Pre-Production

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A few months ago I announced that my good friend Caleb and I were making a film called Atoms of Eden. A Sci-fi movie about how humanity’s last free settlement is running low on clean water. It is up to Ella Astara, a young, brave, resourceful, and vulnerable Forest-Walker to find non-contaminated water. A job with a low life expectancy in a nuclear wasteland of deception. 

While our film is in production I thought I would start a new series on my website called, The Director’s Log. This is where I will keep everyone updated weekly on our creative and filming process from script to screen. This is a journey I wish to share with everyone.

In my first entry I want to catch everyone up. 

The Script: 

I have just finished the final touches on the shooting script and it is a story we are extremely excited about. Even though our film is sci-fi with some action set pieces, we made it our goal to make it character driven. We want audiences to be able to connect with the character, Ella Astara. We want people to feel her struggle, while feeling a sense of wonder and adventure. We want the audience to feel like they are in this world with her. 

Cinematography:

We might have a great script, but sometimes what is written on the page doesn’t translate well to screen. That is where our Director of Photography, Caleb Sapp comes in. Does it help to immerse audiences by filming in 4K? Yes! But the beauty of 4K is useless if we are not correctly blocking our shots in a way that lets the image tell the story. Yes, there is some dialogue, but film is a visual medium and we are making sure our film tells the story through its imagery. Caleb has a great imagination, attention to detail, and an eye for beautiful story driven cinematography. It’s pure joy to meet up with Caleb to go over storyboards. We comb through each shot together and he makes notes and ideas that will propel the story forward. 


Locations, Props, Weapons, Costumes: 

When it comes locations, props, and weapons we wanted the locations to appear massive, beautiful, yet lonely, dark, and haunting. We managed to find some spectacular locations that add to the story and world we are building. To go with these locations we wanted our props, weapons, and costumes to feel used and beat up, not neat and clean. We wanted each prop and weapon to have a history and story to tell. We wanted a deep mythology and history that lingers behind the main story. We wanted something familiar, yet different than your typical sci-fi post-apocalyptic film. 

Characters:

We may have a great story, cameras, locations, and props, but ultimately it comes down to our main character, Ella Astara. We are following the story through her eyes. It takes a great actress to pull that off and we believe we have found a phenomenal actress that can display strength, wonder, adventure, innocents, and vulnerability. We have not officially announced our lead, but we will next month when filming begins. We also look to bring another actor onboard in the following months to help flesh out the story. 

We are racing to get the final touches done on pre-production before we move into principal photography the weekend of December 17th. After that weekend we will come back in March to finish the film in a series of weekend shoots. In late December we will begin marketing with behind the scenes clips, an official picture of our lead Ella Astara, and perhaps a teaser poster. 

Now that you have been updated on our production, you might be wondering how you can help us out. You can help us out by sharing posts like this on social media. You can also help by checking out our movie podcast, The Film Slate Podcast on iTunes and SoundCloud. You can also checkout and share Caleb’s site at: http://www.anecdotefilmco.com . Help us get the word out. We are using our own money on this project, so it’s up to you to spread the word. This movie is being made for you and we hope you will enjoy it as much as we have enjoyed the process. See you next week. 

-JL 

Where to find us: 

James Losey: Writer and Director
Twitter: @jameslosey3 @TheFilmSlatePod

Instagram: TheFilmSlatePodcast, jameslosey3

E-Mail: jameslfilms23@gmail.
Caleb Sapp: Assistant Director, Cinematographer, and Editor. 
Twitter @AnecdoteFilmCo @TheFilmSlatePod

Facebook: The Film Slate Podcast

Instagram: anecdotefilmco

E-Mail: anecdotefilmco@gmail.com

Website: http://www.anecdotefilmco.com

Episode 29: Doctor Strange Review & Movie News

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On this episode of The Film Slate Podcast Caleb and James discuss the latest in movie news  and review Marvel’s Doctor Strange:

  1. Wonder Woman Trailer 2
  2. Beauty and the Beast Entertainment Weekly.
  3. Sherlock Season 4
  4. George Lucas Not involved in Indiana Jones 5
  5. Star Wars Rogue One won’t have an opening crawl?
  6. Doctor Strange Movie Review

Where to find us?
Twitter: @TheFilmSlatePod
Instagram: TheFilmSlatePodcast
Facebook: The Film Slate Podcast

Have questions? Tweet them out using the hashtag #TheFilmSlatePodcast

Websites:
James:
theartofscriptology.wordpress.com
Caleb: AnecdoteFilmCo.com

Episode 24: Captain America Civil War Blu-Ray Review & Movie News

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On this episode of The Film Slate Podcast Caleb and James discuss the latest in movie news, give an update on our short film, and review the Captain America Civil War Blu-ray

Where to find us?
Twitter: @TheFilmSlatePod
Instagram: TheFilmSlatePodcast
Facebook: The Film Slate Podcast

Have questions? Tweet them out using the hashtag #TheFilmSlatePodcast

Websites:
James:
theartofscriptology.wordpress.com
Caleb:
AnecdoteFilmCo.com

Episode 20: Fall & Winter Movie Preview

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On this episode of The Film Slate Podcast we discuss the latest in movie news and give our fall and winter movie preview.

Where to find us?
Twitter: @TheFilmSlatePod
Instagram: TheFilmSlatePodcast
Facebook: The Film Slate Podcast

Have questions? Tweet them out using the hashtag #TheFilmSlatePodcast

Websites:
James:
theartofscriptology.wordpress.com
Caleb:
AnecdoteFilmCo.com